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The demo's and the debuts' showed ancient egyptian images and lyrics for a long time. Since "Black Seeds of Vengeance" (2000), musical arrangements of technically highly complex US death metal were also included in the mix!
Item no. | 312334 |
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Title | Black seeds of vengeance |
Musical Genre | Death Metal |
Edition | Coloured, Re-Issue |
Product topic | Bands |
Band | Nile |
Release date | 4/17/15 |
Product type | LP |
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Media - Format 1-3 | LP |
LP 1
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1.Invocation of the Gate of Aat-Ankh-Es-En-Amenti
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2.Black Seeds of Vengence
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3.Defiling the Gates of Ishtar
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4.Black Flame
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5.Libation Unto the Shades...Masturbating the War God
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6.Multitude of Foes
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7.Chapter for Tranforming into a Snake
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8.Nas Akhu Khan She en Asbiu
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9.To Dream of Ur
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10.Nameless City of the Accursed
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11.Khetti Satha Shemsu
by Eugen Legat (null) "Amongst the catacombs of nephren ka" could cause a widely spread Nile-fever and could enthuse with perfect instrumental abilities and a stone-dry sound. And the way, the lyrical concept was transmitted in a competent way brought a fresh breeze to the Death Metal scene cross the Atlantic. With the drums hitting harder in the first row than in any other band they achieved to infiltrate so many details that prove how deep those four musicians have explored the myths and music of the ancient Egypt. The result reaches far beyond a simple intro-character. Choirs and other original elements were included and put aside to the heavy grunts of the three singers. And beside short and fast neck-breakers and an absolute crazy acoustic instrumental, especially the perfectly arranged 9-minute epic "Nas abhu khan ..." can show Nile's desire to move horizons while standing on the basis of well-known.